Guide · updated 2026-11-15
Canvas Frame and Stretcher Bar Buying
Written by the Wooden Easels sourcing team, Yunhe, Zhejiang, China
Canvas framing is arithmetic before it is a product. A frame has an inner size and an outer size, a stretcher bar has a length, a width and a depth, and a canvas has to clear the rebate and sit on a frame that will not twist. This guide sets out how a framer or art-supply buyer orders the two, and where the market's listings most often mislead.
The measures
| Measure | Definition | Typical trade range | Why it matters |
|---|---|---|---|
| Inner size | the canvas opening | standard frame sizes | matches the canvas the customer has |
| Outer size | inner size plus twice the bar width | inner plus about 4-8 cm | shelf fit and the customer's frame rebate |
| Bar width | face width of the moulding | approx. 20-40 mm | visual weight, and the outer size |
| Bar depth | how far the frame stands off the wall | approx. 20-40 mm | clears the stretcher and the hardware |
| Units per carton | how many ship together | stated per model | the landed cost on a volume order |
Inner size is the number a framer buys by. The most common listing error is to publish an outer size and call it the frame size, which leads a buyer to order a frame that is one bar width too large for the canvas.
Frames or bars
A canvas frame is a pre-cut, assembled frame in a standard size, ready to take a stretched canvas or a print. It is bought by inner size and sold as a finished item.
Stretcher bars are four lengths a framer assembles to whatever size the order needs, with a rebate at the face and a joint at each corner so the canvas can be tensioned with wedges.
Most framers stock both. The frames cover the common retail sizes and the bars cover the bespoke work. A range that stocks only frames turns away the customer who brings in an odd size; a range that stocks only bars makes the standard sizes slower to sell.
The bar section decision
The depth of the bar is the number that decides whether the stretcher clears the frame rebate, and it is the number most often missing from a listing.
| Section | Typical use | What to confirm |
|---|---|---|
| about 20 mm | light cotton canvas, standard frames | clears a standard rebate |
| about 25-30 mm | general canvas work, gallery wrap | depth under the moulding |
| about 35-40 mm | heavy canvas, large formats | canvas weight and corner strength |
| bar length | matched to the frame size ordered | length tolerance, pre-notched or not |
Two depths cover most framers' work: a shallow bar of about 20 mm and a deeper bar of about 35-40 mm. The width is a visual and weight decision; the depth is the fit decision.
Cartons and the order shape
Bars and frames are flat, long and light, so the order is a freight decision before it is a product decision:
- Bars ship in long cartons, and a carton that is 20 cm longer changes the freight per unit more than a small difference in unit cost.
- Frames ship flat in multiples, and the units per carton is the figure to compare between models.
- Wedges and keys are a separate small part. A tensioning frame without wedges is incomplete for a framer, and the wedge is the cheapest thing to put in writing with the first order.
- Long formats over about 90 cm need a cross-brace or a centre-bar, so confirm whether the bars are pre-notched.
The decision rule
Order by inner size, confirm the bar depth against the frame rebate, and compare models on units per carton rather than on the unit alone. Then write the wedge and the notching into the first order: a frame range that arrives complete sells as a range, and one that arrives missing the small parts turns every second order into a support conversation.
Next step
Putting this into practice: see the product lines, size and dimension tools and how we work for the order-shape decisions behind a range.